|
|
| 1 |
|
| ISBN: | 0-674-54336-x |
| Autor(i): | Bordwell, David |
| Naslov: | Making Meaning : inference andrRhetoric in the interpretation of cinema / David Bordwell |
| Impresum: | Cambridge, Mass. ; London : Harvard University Press , 1991 |
| Materijalni opis: | 334 str. ; 23 cm |
| Jezik: | engleski |
| Napomena: | Kazalo |
| Ključne riječi: | film * teorija filma |
| Sažetak: | 1.MAKING FILMS MEAN. -Interpretation as construction. -Meaning made. -Interpretive doctrines. -2.ROUTINES AND PRACTICES. -Interpretation, Inc.. -The logic of discovery, or, problem-solving. -The logic of justification, or, rhetoric. -An anatomy of interpretation. -3.INTERPRETATION AS EXPLICATION. -The French connection. -Explication academicized. -Picture planes. -Meaning and unity. -4.SYMPTOMATIC INTERPRETATION. -Culture, dream, and Lauren Bacall. -Myth as antinomy. -Systéme á la mode. -The contradictory text. -Symptoms and explications. -5.SEMANTIC FIELDS. -Meaning in structures. -Structures of meaning. -The role of semantic fields. -6.SCHEMATA AND HEURISTICS. -Mapping as making. -Knowledge structures and routines. -Mapping as modeling. -7.TWO BASIC SCHEMATA. -Is there a class for this text?. -Making films personal. -8.TEXT SCHEMATA. -A bull's-eye schema. -Meaning, inside out and outside in. -Textual tajectories. -Doctrines into diachronies. -9.INTERPRETATION AS RHETORIC. -Sample strategies. -Theory talk. -10.RHETORIC IN ACTION: SEVEN MODELS OF "PSYCHO". -Jean Douchet, "Hitch and his public". -Robin Wood, "Pxycho", Hitchock's films. -Raymond Durgnat "Inside Norman Bates", films and feelings. -V. F. Perkins, "The World and its Image", film as film. -Raymond Bellour, "Psychosis, neurosis, perversion". -Barbara Klinger, "Psycho: the institutionalization of female sexuality". -Leland Poague, "Links in a chain: Psycho and film classicism". -11.WHY NOT TO READ A FILM. -The ends of interpretation. -The ends of interpretation?. -Prospects for a poetic |
| UDK: | 791.43.01 |
| Signatura: | 791.43 BOR M |
| Inventarni broj: | 99/61, 02/290 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3925 |
|
| 2 |
|
| ISBN: | 0-674-09065-9 |
| Autor: | Douchet, Jean |
| Naslov: | A laboratory art : 'Blind date' |
| Matična publikacija: | Cahiers du cinéma : 1960-1968 : new wave, new cinema, reevaluating Hollywood / edited by Jim Hiller; pp. 158-161 |
| Impresum: | Cambridge, Mass. : Harvard University Press, cop. 1986 |
| Ključne riječi: | Losey, Joseph * film - SAD - 20. stoljeće - 60-e |
| UDK: | 791.43(73)"1960-1968" |
| Signatura | 791.43 CAH-1960s |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 13872 |
|
| 3 |
|
| ISBN: | 0-85170-593-6 |
| Autor: | Douchet, Jean |
| Naslov: | Hatari! |
| Matična publikacija: | Howard Hawks American artist / edited by Jim Hillier and Peter Wollen; str. 77-82 |
| Impresum: | London : BFI Publishing, cop. 1996 |
| Ključne riječi: | Hawks, Howard |
| UDK: | 791.44.071.1 Hawks, H. |
| Signatura | 791.43 HOW |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 22796 |
|
| 4 |
|
| ISBN: | 0-674-09065-9 |
| Autor: | Douchet, Jean |
| Naslov: | Hitch and his audience |
| Matična publikacija: | Cahiers du cinéma : 1960-1968 : new wave, new cinema, reevaluating Hollywood / edited by Jim Hiller; pp. 150-157 |
| Impresum: | Cambridge, Mass. : Harvard University Press, cop. 1986 |
| Ključne riječi: | Hitchcock, Alfred * film - SAD - 20. stoljeće - 60-e |
| UDK: | 791.43(73)"1960-1968" |
| Signatura | 791.43 CAH-1960s |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 13871 |
|
| 5 |
|
|
|
|
|
1
|
Upit: PersonalName_swish=(Douchet Jean ) |